Supporting the camera: Introduction
Most of us cannot hold a camera completely steady in order to capture sharp images in low-light conditions.
To do that you need some kind of support, either from your body or from accessories that can be bought, most well-known of them to be tripod, but there are also other types.
In this series of articles I’m going to look at how to hold your camera to take sharp, blur-free images.
It is not rare to see blurry images being captured holding the camera only with your hands even if conditions don’t necessarily require some kind of support accessory (e.g. tripod). This happens when the camera is not correctly held with your hands to insure maximum support.
But there are also conditions when you do need some help and buying (or sometimes even making) some sort of a supporting accessory is a must. Below are the pros and cons of such accessories:
Accessories for supporting your camera help you
- capture images in low-light situations, for example during the night or indoors, whenever you are using long exposures (shutter speed longer than 1/60s);
- achieve better sharpness of the image (shake could be caused by unsteady hands);
- use low ISO;
- compose the image better: you can capture exactly what you want or have it captured from the same place with different settings;
- use a smaller aperture (big f number) for bigger depth of field;
- use long lenses (telephoto, zoom lenses);
- capture images at a sporting event (only when there is a predictable place where the action is going to take place so you don’t have to move around);
- include yourself on the image by using a camera’s self timer or a remote control;
- capture panoramic image where it is important to keep it at the same level for easier stitching;
- with macro photography.
Negative effects of using such accessories:
- slows you down;
- more weight to carry;
- harder to move around quickly.
Different support accessories have different pros and cons. Which one is the best for you and the situation depends on where you are going to capture the images and what are your subjects.
This is it for the introduction, in my article I talk about how to correctly hold your camera with your hands, so have your camera ready! To jump to other titles of the series, refer to the Related Articles below:
- Supporting the camera: How to hold camera steady with your hands
- Supporting the camera: accessories - what accessories help steady a camera
- Supporting the camera: monopods - what you need to know about monopods
- Supporting the camera: tripod (part 1. of 6.) - why to use it, how to choose it, tripod parts, difference between integrated and removable head
- Supporting the camera: tripod (part 2. of 6.) - load capacity, what affects sturdiness of a tripod and how to improve it, tripod feet
- Supporting the camera: tripod (part 3. of 6.) - everything that affects portability: tripod weight, material, closed height, leg sections, leg tubes, accessories
- Supporting the camera: tripod (part 4. of 6.) - everything about the height of a tripod, with center column explained
- Supporting the camera: tripod (part 5. of 6.) - everything about tripod adjustability: leg locks, bracing, leg spread, and how to levell a tripod
- Supporting the camera: tripod (part 6. of 6.) - what are the most important things to consider and my conclusion
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I always found a good rule of thumb for handholding cameras was to try to use a shutter speed of at least 1/focal length. This works with 35mm film cameras so make the necessary adjustments for whatever digital camera you have.
Some cameras have image stabilisers that allow you to use longer shutter speeds, and some people hands that are more or less steady than me, so experiment! It is a useful thing to keep in mind though to help prevent you from taking images that are too shaky.